You sit in the car, sit with an engine
grumbling and rumbling like the sounds
your stomach makes and you lay an
unconscious arm across your seemingly
pregnant paunch. You think to launch your thought
in the air, a rocket in your pocket, the elephant
in the car. Her hair is leaking. She had it colored
while you were “wasting the pension” painting
the shed. A horrible copper color, hair, not shed,
weaving its way down the side of her face.
But you say not a thing and she doesn’t squeak
a sound in the seat next to you, not even the
“Did you remember to fill up the tank?” like
she’s ever pumped gas in her life. So you
don’t mention a thing on your mind as is almost
always the case. You see things etched in the soft
of her skin that didn’t exist forty years before
but she still scares you like the moment you first met.
You press the gas, and glide down the avenue, seeing
what you’ve seen before. She comments on
Mr. Henderson’s door, that “ooky” red, she says,
whatever the hell that means. She taps the tips of four
fingers on the armrest to the tune of some song
in her head. You catch yourself thinking “Heartbreak
Hotel.” The copper river has created a personality,
with invisible eyes, nose and mouth. If only you could smudge
holes for it to see, smell, and speak in the side of her head.
She didn’t believe you when you said she looked beautiful,
choking on the chalky horse pill of a syllable, the “be”
in bea-u-ti-ful, losing its footing. And your sentiment
tumbled down, settled on the ground and she had the
audacity to walk all over it. She starts in, as is to be
expected, and lists the things she’s accomplished this
morning while you were “wasting the day away” in bed,
like a common house cat. You tune her out, spin
the invisible volume notch down with yellow tobacco tinged
fingers, her prune mouth sounding shallow
noise and you catch every other word. Something
about an appointment, doctor’s appointment and a funeral,
always a funeral. She talks about it like it’s a wedding,
listing the blazer, skirt, shoes, she will wear until each
piece of clothing dances before your eyes, a warped
parade. You give up and put her on, full blast,
until her voice rings fierce and ricochets off
the windows. There’s something different
in that voice and it’s not the fact that it’s grainy,
a pile of pebbles. You wonder how she swallows.
No, it’s not the quality, or lack of clarity, it’s the fact
that after all these years of wear and tear, you can no
longer hear her innocence. And at this time, like every
other time she looks at you, waiting for a word, for
something tangible to taste, then critique. But you only
smile, feel the creases gathering at your lids, and wish to
drown in her copper creek.
© 2010-2013 Ericka Clay All Rights Reserved




